It's the first day of school at the University of Minnesota. I'm always so nervous!
Huichung, Emily Chua. “The Good Book and the Good Life: Bestselling Biographies in China’s Economic Reform.” The China Quarterly, 198 (2009): 364-380.
Here's a source that AW recommended; it will surely come up in my next chapter, on the phenomenon of progressive humanism as a mass intimate public in contemporary Chinese culture. Huichung doesn't identify this intimate public, but she describes the larger field of Chinese publishing that surrounds bestselling biographies as one in which old stories take on new market orientations. She calls it a mutually generative relationship between revolutionary ambitions and commercial enterprise, but I'm not convinced this describes Yang Jiang's work effectively. Unlike Yao Ming's biography, for example, Yang Jiang never seems to think wealth or industry are important, and unlike Wang Meng, she only rarely uses the discourse of the nation, particularly in its intimate form which Huichung spots in the term "aiguo xin" (the patriotic heart).
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