My reading of the essay will emphasize how Yang Jiang turns the experience of trauma into a story of growth and adaptation, from an escapist, 'helpless little lamb' to a combative, and (above all) intuitive explorer of the affective atmosphere of the early Cultural Revolution. In this narrative of overcoming we see Yang Jiang at first question who she even is, but soon she remembers her humanist values. I will present evidence from the theme of service that show how she continues to invoke one of her mother's values, and so partly continues to see herself as a 'good mother and worthy wife.' Because of the deep literary motif that occurs in this as in all her essays, we might call her 'good mother, worthy wife, and talent of the boudoir (caixiu).'
Housekeeping update for the bar
3 weeks ago
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